Anubhab Swain, Developer

Watchlist (somewhat of a connoisseur)

A man needs to binge-

The media cover for “House of Cards” by Streaming on Netflix

House of Cards

Streaming on Netflix

Frank Underwood is a Democrat appointed as the Secretary of State. Along with his wife, he sets out on a quest to seek revenge from the people who betrayed him while successfully rising to supremacy.

Season 4, Episode 7 of 13

The media cover for “Winning Time” by Streaming on HBO

Winning Time

Streaming on HBO

Beginning with the arrival of Earvin 'Magic' Johnson as the #1 overall pick of the 1979 draft, the Lakers played basketball with gusto and pizzazz, unleashing their famed 'Showtime' run-and-gun style on a league unprepared for their speed and ferocity and became the most captivating show in sports and, arguably, in all-around American entertainment. The Lakers' roster overflowed with exciting all-star-caliber players, including center Kareem Abdul-Jabbar, and they were led by the incomparable Pat Riley, known for his slicked-back hair, Armani suits, and arrogant strut. Hollywood's biggest celebrities lined the court and gorgeous women flocked to the arena. Best of all, the team was a winner. Between 1980 and 1991, the Lakers played in an unmatched nine NBA championship series, capturing five of them.

Season 2, Episode 3 of 10

The media cover for “Big Little Lies” by Streaming on HBO

Big Little Lies

Streaming on HBO

When Madeline and Celeste take new-in-town single mom Jane under their wing, they don't realize how the arrival of Jane and her inscrutable little boy will affect them all. 'Big Little Lies' is a brilliant take on ex-husbands and second wives, schoolyard scandal, and the dangerous little lies we tell ourselves just to survive.

Season 1, Episode 2 of 7

The media cover for “Grey's Anatomy” by Streaming on Hotstar

Grey's Anatomy

Streaming on Hotstar

A medical and romantic drama centered around Meredith Grey, an aspiring surgeon and daughter of one of the best surgeons, Dr. Ellis Grey. Throughout the series, Meredith goes through professional and personal challenges along with fellow surgeons at Seattle Grace Hospital.

Season 10, Episode 4 of 24


My Top 50? Maybe 57? I have lost track

The media cover for “12 Angry Men” by Sidney Lumet

12 Angry Men

Sidney Lumet

It's always difficult to keep personal prejudice out of a thing like this. And wherever you run into it, prejudice always obscures the truth. I don't really know what the truth is. I don't suppose anybody will ever really know. Nine of us now seem to feel that the defendant is innocent, but we're just gambling on probabilities - we may be wrong. We may be trying to let a guilty man go free, I don't know. Nobody really can. But we have a reasonable doubt, and that's something that's very valuable in our system. No jury can declare a man guilty unless it's sure.

The media cover for “Blade Runner 2049” by Denis Villeneuve

Blade Runner 2049

Denis Villeneuve

Mere data makes a man. A and C and T and G. The alphabet of you. All from four symbols. I am only two: 1 and 0. Half as much but twice as elegant, sweetheart.

The media cover for “Blue Eye Samurai” by Jane Wu

Blue Eye Samurai

Jane Wu

You are blind... and so cannot see the shame of my face. I am... made of mixed metal. No amount of hammering can remove my impurity. At the time I was born, there were four white men in all of Japan. Men who traded in weapons and opium and flesh. One of them took my mother and made of me... a monster. A creature of shame. I do not know their names. I do know their fate. They will all die by my hand. I have vowed this.

The media cover for “Catch Me If You Can” by Steven Spielberg

Catch Me If You Can

Steven Spielberg

Two little mice fell in a bucket of cream. The first mouse quickly gave up and drowned. The second mouse, wouldn't quit. He struggled so hard that eventually he churned that cream into butter and crawled out. Gentlemen, as of this moment, I am that second mouse.

The media cover for “Django Unchained” by Quentin Tarantino

Django Unchained

Quentin Tarantino

Frankly, I’ve never given anybody their freedom before. And now that I have, I feel vaguely responsible for you. Plus, when a German meets a real-life Siegfried, that’s kind of a big deal. As a German, I’m obliged to help you on your quest to rescue your beloved Broomhilda.

The media cover for “Fight Club” by David Fincher

Fight Club

David Fincher

I see in the fight club the strongest and smartest men who've ever lived. I see all this potential and I see squandering. God damn it, an entire generation pumping gas, waiting tables, slaves with white collars, advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don't need. We're the middle children of the history man, no purpose or place, we have no Great war, no Great depression, our great war is a spiritual war, our great depression is our lives, we've been all raised by television to believe that one day we'd all be millionaires and movie gods and rock stars, but we won't and we're slowly learning that fact. and we're very very pissed off.

The media cover for “Ford v Ferrari” by James Mangold

Ford v Ferrari

James Mangold

There's a point at 7,000 RPM... where everything fades. The machine becomes weightless. Just disappears. And all that's left is a body moving through space and time. 7,000 RPM. That's where you meet it. You feel it coming. It creeps up on you, close in your ear. Asks you a question. The only question that matters. Who are you?

The media cover for “Game of Thrones” by David Benioff, D.B. Weiss

Game of Thrones

David Benioff, D.B. Weiss

Never forget what you are, for surely the world will not. Make it your strength. Then it can never be your weakness. Armour yourself in it, and it will never be used to hurt you.

The media cover for “Good Will Hunting” by Gus Van Sant

Good Will Hunting

Gus Van Sant

Yes. Oh, Christ. But, Will, she's been dead two years and that's the shit I remember. It's wonderful stuff, you know ? Little things like that. Yeah, but those are the things I miss the most. Those little idiosyncrasies that only I knew about. That's what made her my wife. Boy, and she had the goods on me too. She knew all my little peccadillos. People call these things - imperfections, but they're not. That's the good stuff. And then we get to choose who we let into our weird little worlds. You're not perfect, sport. And let me save you the suspense. This girl you met, she isn't perfect either. But the question is whether or not you're perfect for each other. That's the whole deal. That's what intimacy is all about. Now you can know everything in the world, sport, but the only way you're finding' out that one is by giving' it a shot.

The media cover for “Goodfellas” by Martin Scorsese

Goodfellas

Martin Scorsese

And that's the hardest part. Today everything is different; there's no action... have to wait around like everyone else. Can't even get decent food - right after I got here, I ordered some spaghetti with marinara sauce, and I got egg noodles and ketchup. I'm an average nobody... get to live the rest of my life like a schnook.

The media cover for “Green Book” by Peter Farrelly

Green Book

Peter Farrelly

Yes, I live in a castle, Tony! Alone. And rich white people pay me to play piano for them because it makes them feel cultured. But as soon as I step off that stage, I go right back to being just another nigger to them. Because that is their true culture. And I suffer that slight alone, because I'm not accepted by my own people 'cause I'm not like them, either. So, if I'm not black enough and if I'm not white enough and if I'm not man enough, then tell me, Tony, what am I?

The media cover for “Hamilton” by Thomas Kail

Hamilton

Thomas Kail

Look at where you are. Look at where you started. The fact that you're alive is a miracle. Just stay alive, that would be enough.

The media cover for “House” by David Shore

House

David Shore

You took a chance, you did something great. You were wrong, but it was still great. You should feel great that it was great. You should feel like crap that it was wrong.

The media cover for “The Imitation Game” by Morten Tyldum

The Imitation Game

Morten Tyldum

Enigma isn't difficult, it's impossible. The Americans, the Russians, the French, the Germans, everyone thinks Enigma is unbreakable. Good. Let me try and we'll know for sure, won't we?

The media cover for “Inglourious Basterds” by Quentin Tarantino

Inglourious Basterds

Quentin Tarantino

You probably heard we ain’t in the prisoner-takin’ business; we’re in the killin’ Nazi business. And cousin, business is a-boomin’.

The media cover for “Interstellar” by Christopher Nolan

Interstellar

Christopher Nolan

We've always defined ourselves by the ability to overcome the impossible. And we count these moments. These moments when we dare to aim higher, to break barriers, to reach for the stars, to make the unknown known. We count these moments as our proudest achievements. But we lost all that. Or perhaps we've just forgotten that we are still pioneers. And we've barely begun. And that our greatest accomplishments cannot be behind us, that our destiny lies above us.

The media cover for “Jurassic Park” by Steven Spielberg

Jurassic Park

Steven Spielberg

The world has just changed so radically, and we're all running to catch up. I don't want to jump to any conclusions, but look... Dinosaurs and man, two species separated by 65 million years of evolution have just been suddenly thrown back into the mix together. How can we possibly have the slightest idea what to expect?

The media cover for “Killers of the Flower Moon” by Martin Scorsese

Killers of the Flower Moon

Martin Scorsese

Oh, yeah? I mean, there might be a public outcry for a while. But then you know what happens? People forget. They don't remember. They don't care. They just don't care. It's just gonna be another everyday, common tragedy.

The media cover for “Léon: The Professional” by Luc Besson

Léon: The Professional

Luc Besson

The rifle is the first weapon you learn how to use, because it lets you keep your distance from the client. The closer you get to being a pro, the closer you can get to the client. The knife, for example, is the last thing you learn.

The media cover for “Lost In Translation” by Sofia Coppola

Lost In Translation

Sofia Coppola

Uh, a couple of things. Taking a break from my wife, forgetting my son's birthday. And, uh, getting paid two million dollars to endorse a whiskey when I could be doing a play somewhere.

The media cover for “Moonlight” by Barry Jenkins

Moonlight

Barry Jenkins

Let me tell you something, man. There are black people everywhere. You remember that, okay? No place you can go in the world ain't got no black people, we was the first on this planet.

The media cover for “Oppenheimer” by Christopher Nolan

Oppenheimer

Christopher Nolan

We have to make the politicians understand this isn't a new weapon. It's a new world. I'll be out there doing what I can but you, you are an American Prometheus. The man who gave them the power to destroy themselves. And they'll respect that. And your works really begins soon.

The media cover for “Past Lives” by Celine Song

Past Lives

Celine Song

There is a word in Korean. In-Yun. It means “providence” or “fate”. But it’s specifically about relationships between people. I think it comes from Buddhism and reincarnation. It’s an In-Yun if two strangers even walk by each other in the street and their clothes accidentally brush. Because it means there must have been something between them in their past lives. If two people get married, they say it’s because there have been 8,000 layers of In-Yun over 8,000 lifetimes.

The media cover for “Pulp Fiction” by Quentin Tarantino

Pulp Fiction

Quentin Tarantino

Don't you hate that? Uncomfortable silences. Why do we feel it's necessary to yak about bullshit in order to be comfortable? That's when you know you've found somebody special. When you can just shut the fuck up for a minute and comfortably enjoy the silence.

The media cover for “Se7en” by David Fincher

Se7en

David Fincher

Innocent? Is that supposed to be funny? An obese man... a disgusting man who could barely stand up; a man who if you saw him on the street, you'd point him out to your friends so that they could join you in mocking him; a man, who if you saw him while you were eating, you wouldn't be able to finish your meal. After him, I picked the lawyer and I know you both must have been secretly thanking me for that one. This is a man who dedicated his life to making money by lying with every breath that he could muster to keeping murderers and rapists on the streets!

The media cover for “Shaun of the Dead” by Edgar Wright

Shaun of the Dead

Edgar Wright

Well, your mum rang about you going around tomorrow night, and then Liz rang about the two of you eating out tonight, and then your mum rang back to see if I wanted to eat her out tonight.

The media cover for “Shōgun” by Jonathan van Tulleken

Shōgun

Jonathan van Tulleken

Love is a Christian word, Anjin-san. Love is a Christian thought, a Christian ideal. We have no word for 'love' as I understand you to mean it. Duty, loyalty, honor, respect, desire, those words and thoughts are what we have, all that we need.

The media cover for “Shutter Island” by Martin Scorsese

Shutter Island

Martin Scorsese

Which Would Be Worse: To Live As A Monster, Or To Die As A Good Man?

The media cover for “The Silence of the Lambs” by Jonathan Demme

The Silence of the Lambs

Jonathan Demme

And you think if you save poor Catherine, you could make them stop, don't you? You think if Catherine lives, you won't wake up in the dark ever again to that awful screaming of the lambs.

The media cover for “The Social Network” by David Fincher

The Social Network

David Fincher

I think if your clients want to sit on my shoulders and call themselves tall, they have the right to give it a try - but there's no requirement that I enjoy sitting here listening to people lie. You have part of my attention - you have the minimum amount. The rest of my attention is back at the offices of Facebook, where my colleagues and I are doing things that no one in this room, including and especially your clients, are intellectually or creatively capable of doing.

The media cover for “Suits” by Aaron Korsh

Suits

Aaron Korsh

Let them hate, just make sure they spell your name right.

The media cover for “Taxi Driver” by Martin Scorsese

Taxi Driver

Martin Scorsese

I'll tell you why. I think you're a lonely person. I drive by this place a lot and I see you here. I see a lot of people around you. And I see all these phones and all this stuff on your desk. It means nothing. Then when I came inside and I met you, I saw in your eyes and I saw the way you carried yourself that you're not a happy person. And I think you need something. And if you want to call it a friend, you can call it a friend.

The media cover for “The Martian” by Ridley Scott

The Martian

Ridley Scott

They say once you grow crops somewhere, you have officially colonized it. So, technically, I colonized Mars. In your face, Neil Armstrong!

The media cover for “Top Gun: Maverick” by Joseph Kosinski

Top Gun: Maverick

Joseph Kosinski

Your instructor is one of the finest pilots this program has ever produced. His exploits are legendary. What he has to teach you may very well mean the difference between life and death. I give you Captain Pete Mitchell, call sign Maverick.

The media cover for “The Usual Suspects” by Bryan Singer

The Usual Suspects

Bryan Singer

Who is Keyser Soze? He is supposed to be Turkish. Some say his father was German. Nobody believed he was real. Nobody ever saw him or knew anybody that ever worked directly for him, but to hear Kobayashi tell it, anybody could have worked for Soze. You never knew. That was his power. The greatest trick the Devil ever pulled was convincing the world he didn't exist. And like that, poof. He's gone.

The media cover for “Vertigo” by Alfred Hitchcock

Vertigo

Alfred Hitchcock

I made the mistake. I fell in love. That wasn't part of the plan. I'm still in love with you, and I want you so to love me. If I had the nerve, I'd stay and lie, hoping that I could make you love me again, as I am for myself... and so forget the other and forget the past. But I don't know whether I have the nerve to try...

The media cover for “The Wolf of Wall Street” by Martin Scorsese

The Wolf of Wall Street

Martin Scorsese

This right here is the land of opportunity. This is America. This is my home! The show goes on! They’re gonna need to send in the National Guard to take me out, ‘cause I ain’t going nowhere!

The media cover for “The Wonderful Story of Henry Sugar” by Wes Anderson

The Wonderful Story of Henry Sugar

Wes Anderson

Some people when they have taken too much and have been driven beyond the point of endurance, simply crumble and give up. There are others, though they are not many, who will for some reason always be unconquerable. You meet them in time of war and also in time of peace. They have an indomitable spirit and nothing, neither pain nor torture nor threat of death, will cause them to give up.

The media cover for “Yeh Jawaani Hai Deewani” by Ayan Mukerji

Yeh Jawaani Hai Deewani

Ayan Mukerji

22 tak padhai, 25 pe naukri, 26 pe chokri, 30 pe bachche, 60 pe retirement , aur phir maut ka intezaar, dhat aisi ghisi piti life thodi jeena chahta hoon!

The media cover for “Zindagi Na Milegi Dobara” by Zoya Akhtar

Zindagi Na Milegi Dobara

Zoya Akhtar

After achieving so much, are you happy? Do you miss something? Take time out for those things that really make you happy, like cooking... How do you know you will live till 40? Seize the day my friend!